Las óleos de todo CARDUCHO, Vicente
ID Image  Painting (From A to Z)       Details 
20341  
CARDUCHO, Vicente, Ecstasy of Father Birelli (mk05)
  		 Ecstasy of Father Birelli (mk05)   Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980
20343  
CARDUCHO, Vicente, ST Bernard of Clairvaux (mk05)
  		 ST Bernard of Clairvaux (mk05)   Canvas,23 1/2 x 19''(60 x 48 cm)Acquired in 1980
5820  
CARDUCHO, Vicente, The Vision of St. Anthony of Padua sdf
  		 The Vision of St. Anthony of Padua sdf   1631 Oil on canvas The Hermitage, St. Petersburg
5819  
CARDUCHO, Vicente, Vision of St Francis of Assisi fg
  		 Vision of St Francis of Assisi fg   1631 Oil on canvas, 246 x 173 cm Museum of Fine Arts, Budapest
CARDUCHO, Vicente
(b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,



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